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	<title>Comments on: Exposed: Judd Apatow&#8217;s Movie Making Formula</title>
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		<title>By: Book Review: Another Fine Mess : COED Magazine</title>
		<link>http://coedmagazine.com/2008/04/23/exposed-judd-apatows-movie-making-formula/comment-page-1/#comment-64272</link>
		<dc:creator><![CDATA[Book Review: Another Fine Mess : COED Magazine]]></dc:creator>
		<pubDate>Sat, 09 Oct 2010 14:01:26 +0000</pubDate>
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		<description><![CDATA[[...] anthology starts with Charlie Chaplin’s comedy relief of the 1930s in City Lights and ends with Judd Apatow’s work in Knocked Up and Pineapple Express, capturing every kind of film in between the early 30s [...]]]></description>
		<content:encoded><![CDATA[<p>[...] anthology starts with Charlie Chaplin’s comedy relief of the 1930s in City Lights and ends with Judd Apatow’s work in Knocked Up and Pineapple Express, capturing every kind of film in between the early 30s [...]</p>
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		<title>By: Movies This Week: July 9th, 2010 : COED Magazine</title>
		<link>http://coedmagazine.com/2008/04/23/exposed-judd-apatows-movie-making-formula/comment-page-1/#comment-58361</link>
		<dc:creator><![CDATA[Movies This Week: July 9th, 2010 : COED Magazine]]></dc:creator>
		<pubDate>Fri, 09 Jul 2010 17:37:51 +0000</pubDate>
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		<description><![CDATA[[...] reads, Gru goes from Superbad to Superdad. How clever. If I were director of &#8220;Superbad&#8221; Judd Apatow, I&#8217;d sue. If I were Clark Kent, unexpected alien dad of a hybrid baby in 2006&#8242;s [...]]]></description>
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